I choose the cover art for my next chapbook,
‘Letters to a Dead Man’ – the image faint,
shadowy, suggesting evanescence. Ah, but
are not all our lives evanescent really?
I choose the cover art for my next chapbook,
‘Letters to a Dead Man’ – the image faint,
shadowy, suggesting evanescence. Ah, but
are not all our lives evanescent really?
We never once kissed on the lips, I remember.
I mentally shrug, thinking it matters little now.
It was forty-odd years ago, I’m eighty-three.
‘That no longer hurts,’ I assure myself, ‘not when
I weigh it against all the lasting things we did achieve’ —
then suddenly I’m engulfed in anguished sobs.
Yesterday I missed writing
my daily small poem. I was
busy all day trying to create
the best words to complete
a tale I’ve been telling
of darkness and light,
old pain, old love. Then
I was exhausted. Prose
is such bloody hard work!
I must finally let you go, I decide.
You turn up in my dream
as if in response, and we dance:
waltzing together and smiling,
endlessly. Oh!
You cannot lose
what really belongs to you,
even if you throw it away.
Note: The quotation is from the I Ching.
Strange, how my own writings
take me back into the feelings
I felt when I wrote – that inspired
what I wrote. Do I still love you
every bit as much? Oh, it feels
as strong, as intense, as deep!
I look at the photo
of my long-ago love.
‘Of course I’ll love you
forever, you stupid man,’
I say good-humouredly
to his dear dead profile —
or to his ghost, who
surely no longer doubts.
An extra one for February, in case anyone is reading this one-a-day in a leap year. (Otherwise, you get to read two in one day.)